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Platform BUSAN 2022 is Now Accepting Applications!
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Platform BUSAN, a networking platform for new and emerging independent filmmakers in Asia including Korea that seeks to share experiences and search for collaboration opportunities, is now accepting applications until Aug 31 (Wed).
Launched in 2017, Platform BUSAN has organized various practical programs that provide first-hand experience and knowledge in the field that have included lectures by experienced filmmakers, networking events for emerging filmmakers, and knowledge exchange about co-production on topics such as producing omnibus films in Asia.
Celebrating its 4th year this fall after being put on hold due to the COVID-19 outbreak, Platform BUSAN is planning a variety of programs for Asian filmmakers, which are expected to provide them with practical guidelines in the field. It will be hosted by the Asian Contents & Film Market (ACFM) to create an efficient and experiential synergy effect within the industry starting this year.
Applications for Platform BUSAN are available via email until Aug 31 (Wed), and emerging filmmakers in Asia and Korea, who have played a major role in at least one short film and fewer than three feature films, are eligible to apply. Further information about the application can be found on the ACFM website (https://www.acfm.kr/eng/).
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platform@biff.kr
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+82 51-709-2237
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Announcing the 29 Selections for Asian Project Market 2022!
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Asian Project Market (APM) 2022, Asia’s largest investment and co-production market, has announced the final 29 selections from 15 countries amongst the submission of 288 projects from 40 countries.
Starting this year, APM 2022, which has excluded non-Asian projects in order to provide more focused support for Asian projects, has raised its criterion for project submission. The projects must be submitted by directors who have directed at least one short or full-length feature film, and producers who have participated in the production of at least on full-length feature film. In addition, three film supported by the Asian Cinema Fund’s Script Development Fund will also be included as APM projects and be provided business meeting opportunities.
APM 2022 projects by BIFF alumni directors and Asian female directors are gathering much anticipation. Southeast Asian and Japanese projects showed their strengths in handling social issues such as labor, refugees, and crime. Also, 9 projects by Korean directors are raising the expectations of Asian film officials with their various genres, solid screenplays and stellar directing.
APM 2022 Awards will be receiving sponsorship, supported by a larger number of sponsors than prior to the pandemic outbreak. The newly established TAICCA Award and the VIPO Award, sponsored by Taiwan Creative Content Agency and Japan’s Visual Industry Promotion Organization respectively, will have a reward of $10,000 to support film development. Cambodia’s Kongchak Studio will sponsor the Kongchak Studio Award, providing an in-kind prize worth $25,000 in sound post-production services and facilities. Moreover, the APM projects will be sponsored by Busan Metropolitan City, CJ ENM, KB Kookmin Bank, NUTRILITE, ARTE Kino, Norwegian South Film Fund, Pop Up Film Residency, and MONEFF. The winners of the APM 2022 Awards will be announced on Oct 11 (Tues).
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Asian Project Market 2022 Official Projects
(※Projects in alphabetical order)
* : Asian Cinema Fund (ACF) Script Development Fund Selections
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Project Title |
Director |
Producer |
Production Country |
1 |
The 20th Century Girls |
CHOI Jinyoung |
KIM Sungwoo |
Korea |
2 |
Beyond the Frame |
LEE I-Hui |
Estela Valdivieso CHEN Hazel WU |
Taiwan |
3 |
The Day of Dongkyeong |
KIM Sein |
JANG Jiwon |
Korea |
4 |
Diaphanous |
Dornaz HAJIHA |
Isabelle GLACHANT |
Iran/Hong Kong, China |
5 |
Erinyes |
JUNG Wonhee |
Jéro YUN |
Korea |
6 |
Future Laobans |
Maung SUN |
Ma AEINT Maung SUN |
Myanmar |
7 |
GASPAR |
Yosep Anggi NOEN |
Yulia Evina BHARA Cristian IMANUELL |
Indonesia |
8 |
Hana |
LEE Dong-eun |
CHOI Sun-hee |
Korea |
9 |
In the Land of Brothers* |
Raha AMIRFAZLI |
Adrien BARROUILLET |
France/Iran |
10 |
The Kid |
OH Seongho |
KWUN Jungin |
Korea |
11 |
Last Shadow at First Light |
Nicole Midori WOODFORD |
Jeremy CHUA |
Singapore/Japan/ Slovenia |
12 |
Life I Stole* |
SUGUA Putri Purnama |
TAN Cher Kian |
Malaysia |
13 |
Loop Out |
KIM Dukjoong |
JUNG Hyunjung |
Korea |
14 |
My Kabuliwala |
Balaka GHOSH Sahraa KARIMI |
Maxine WILLIAMSON
Kumud RANJAN
Defrim ISAI |
India/Australia |
15 |
MY SUNSHINE |
OKUYAMA Hiroshi |
NISHIGAYA Toshikazu |
Japan |
16 |
One of a Kind |
Iram Parveen BILAL |
Apoorva BAKSHI
Abid Aziz MERCHANT
Iram Parveen BILAL |
Pakistan/USA |
17 |
People's Violence (working title) |
MORI Tatsuya |
KOBAYASHI Sanshiro |
Japan |
18 |
Rashid |
Prithvi KONANUR |
Thejaswi KONANUR |
India |
19 |
Red River |
WANG Qi |
Clarissa ZHANG PAN Yan |
China |
20 |
Safa |
Maksud HOSSAIN |
Maksud HOSSAIN
Trilora KHAN
Barkat HOSSAIN
Tanveer HOSSAIN |
Bangladesh |
21 |
The Sea is Calm Tonight |
LÊ Bảo |
LAI Weijie |
Singapore |
22 |
Sima's Song |
Roya SADAT |
Alba SOTORRA |
Spain/Netherlands/France |
23 |
Smart City* |
Rohin RAVEENDRAN |
- |
India |
24 |
Soldier of Love |
Farkhat SHARIPOV |
Dina ZHUMABEK Julia KIM |
Kazakhstan |
25 |
Something About Us |
LIM Jungeun |
PARK Doohee |
Korea |
26 |
The Thonglor Kids |
Aditya ASSARAT |
Fran BORGIA |
Thailand/Singapore |
27 |
Tiger’s Pond |
Natesh HEGDE |
Rishab SHETTY |
India |
28 |
Turning Pages (working title) |
Eugene SUEN |
KIM Heejeon |
Korea/USA |
29 |
The Way to School |
CHUNG Jiyoung |
JEONG Sangmin |
Korea |
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apm@biff.kr
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+82 51-709-2239
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